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- Downie 3.8.2 Multilingual macOS 39 mb. Ever wished you could save a video from the Internet? Search no more, Downie is what you're looking for. Easily download videos from thousands of different sites. Supports many sites - currently supports over 1,000 different sites (including YouTube, Vimeo, etc.) and the number is rapidly growing.
- Unlike some paid alternatives like Trash Me, AppCleaner is a free donation-based app that helps you uninstall software you no longer use or want and gets rid of all the related files that may be buried elsewhere in your directory. Version 3.5: Updated for macOS Mojave and Catalina. Dark Mode support.
Get Downie, a one-click media downloader for Mac.
Download Downie MacOS Full Version (Download Manager) Kalian butuh aplikasi untuk download youtube di mac, macbook, imac? Free Download Manager Terbaru 5.1.38 PC. Thank you for downloading Downie para Mac from our software library. The download is provided as is, with no modifications or changes made on our side. The version of the Mac application you are about to download is 4.1.2. The license type of the downloaded software for Mac OS X is shareware. Downie v3.6 is a very easy and convenient software used to download the video. It supports Vimeo Youtube and more than 750 other sites. Downie 3.6 does not disturb users and has many features. You just need to do your job.
Finding free music online and saving it on your Mac it is not as easy as it should be. While there are plenty of artists who’d love you to hear their music and who are happy for you to download it for free, the process of finding and then downloading it can be a bit of a pain.
Even if you know where to go looking (and we’ll help you with that in a minute), saving lots of individual tracks in a web browser one by one can be a slow and frustrating process. That’s where a smart music downloader can help.
Best music downloaders for Mac
Get a huge set of top music download apps for macOS. Best utilities in one pack, give it a go!
Where to get free music to download
There are of course, lots of places on the internet where you can find free music to download. But many of those places link to tracks which included cracked files or music the copyright owner hasn’t given permission to share.
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It’s important that when you go looking for free mp3, you only use sources that have permission to share that music.
Here are a few places where you can find free music to download legally:
- Jamendo. All the music on Jamendo has been made available by the artists on a Creative Commons licence. That means that, while they retain the rights to the music, they’ve agreed to allow it to be saved to your Mac for free.
- Soundcloud. It's a hugely popular site where amateur and professional musicians, and some well-known names, share music. Not all of it is available to download for free, and you’ll need to create an account. But there are some real gems to be found.
- Last.fm. It's another hugely popular site that, among its discovery and sharing features, also allows you to save music tracks for free.
How to download music online
Is it legal to download music for free? Shredo 1 2 1 – file shredder and privacy cleaner. Yes, as long as the copyright owner consents. On all of the sites listed above, the rights owner has consented to allow their music to be downloaded.
There is a number of both paid and free tools that help download free music. Based on your requirements, decide on the functionality of a downloader you’re searching: Should it cover video and torrent as well? Batch downloads? Scheduling?
Here are the key features of music downloader we recommend you pay attention to:
- Control the speed of downloads. For instance, Folx splits large files into multiple threads, so they download more quickly.
- Schedule downloads so they only take place at times they won’t place too many demands on your computer.
- Video and torrents covered. You can get a one-stop downloader for capturing different types of media on your Mac.
- Tag downloads to easily find them later.
Get the best music downloader
Setapp offers a number of music and video downloaders in one package – so you can toggle between different features and interfaces or pick one tool that perfectly covers your needs. Once you install Setapp, click on its icon in the menu bar and search for downloaders there. You’ll be suggested Elmedia Player, AnyTrans, Folx, and Downie. On the selected app, click Install and wait for it to travel to your Mac. Double-click to launch the app.
Here’s the quick overview of each of them:
![32-bit 32-bit](https://www.imojado.org/wp-content/uploads/2017/03/QQ截图20170325200130.png)
- Folx: Combines functionality of a download manager and torrent client. This is the best option for capturing large media files, while the app splits downloads in up to 20 streams.
- Elmedia Player: A great alternative to Apple’s native media player – QuickTime, with an in-built media downloader.
- Downie: Video and audio downloader that’s based on superb drag and drop functionality.
- AnyTrans: A file transferring solution and a media downloader that works with iOS and macOS devices.
- Pulltube: A universal media downloader that lets you instantly adjust the length of your video and music tracks.
Add the link to the track you want
Once you’ve found a track you want to save, copy the link. To do that, you’ll need to identify the download link on the site – it will usually be an icon with a downward arrow in it. Don’t click it, instead right-click or Control-click it. From the menu that appears, click Copy Link.
If you use Folx, paste the link with ⌘+V keyboard shortcut. Or the main Folx window, press the ‘+’ button next to the text bar at the top of the window. You should see that the box at the top of the window that opens already has the URL you copied in it. If not, paste it where it says ‘Add URL here.’ To download music from YouTube, select Audio in Quality.
It’s pretty similar with Downie – with the exception that you have to drag the link onto the app icon. To extract music from video, navigate to Settings > Extract Audio Only. From there, you can also customize the quality of output files, convert to mp4, or send to Permute – a universal media converter.
Choose where your music are stored
Once you’ve added the link, choose where you want to save it to. If you’re happy to leave the destination at its default, great. If not, you can change it as you like in any app. In Elmedia Player and Downie, open Preferences > General > Put new downloads in/Save files to folder. For those using Folx, you can also customize app’s behavior upon completing a download – quit, sleep, shutdown, or do nothing.
In case you want to move your audio collections across devices, you can do so with AnyTrans for iOS. A handy file transferring app with an in-built media downloader, it helps you flexibly manage downloads – transfer from iPhone to Mac, integrate with iTunes, or copy to any iOS device.
Choose when to download tracks
Downie and Folx have scheduling features, so you can choose when the downloads should take place.
To activate delayed queue start in Downie, go to File > Delayed start and select a custom time slot. Smart shooter 4 14 inch.
In Folx, click on the menu and choose ‘Manual’ or ’Schedule’. If you choose manual, the download will be set up and then paused and displayed in the main Folx window. You can start it at anytime by clicking the icon to the left of its name. If you want to change a download from manual to scheduled or automatic, you can double-click it in the main window and change the setting in the menu.
If you choose to schedule, files will be downloaded according to the schedule you create in Folx Preferences.
Download a song and set it as a ringtone
If you can’t stand your default phone ringtone anymore, there’s a solution. You can grab any of your favorite songs from the web and transform it into a custom ringtone with Pulltube app.
You can download music to Pulltube by simply dragging the link into the app window, or saving via a browser extension. After you download your file, click on the scissors button below it and enter the Trimming Mode. In the pop-up window, you’ll be able to play the audio and adjust the length of your ringtone. Once you’re ready, hit Trim and save the ringtone.
Create a download schedule
If you want to plan multiple downloads, Folx is there to help. Open Preferences from the Folx menu and click on ‘Scheduler’. Now click on the time slots where you want downloading to take place. When the box changes color, click on it twice so it turns bright green. Scheduled downloads will now take place at that time.
Continue customizing
Once you’ve scheduled, think whether there are any other settings you want to twick. If you use Folx, you can select the number of threads into which you want to split the download. The default is two and for most music files that will be fine. If the file you’re downloading is particularly large, you might want to select a higher number.
Elmedia Player has robust customization options for audio – for instance, you can select audio device and the number of playback channels.
Authenticate if it’s required
If the website needs a username and password, click Authenticate. Click ‘Saved Passwords’ and then ‘Add.’ Choose ‘HTTP or FTP password’ and type in the URL of the login page, your username and your password in the next window that opens. Click Ok.
You’re all set. You can now download free music using Folx from any website that makes it available.
Most of the music you find will be MP3 files, which can be played on your Mac. If the files are in a format that won’t run on your Mac, you can use Permute to convert media.
You’re all set. You can capture and manage free music downloads using a Mac app that suits your flow.
Setapp lives on Mac and iOS. Please come back from another device.
Meantime, prepare for all the awesome things you can do with Setapp.
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STATEMENT BY GORD DOWNIE
Ogoki Post, Ontario
September 9, 2016
Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adam’s Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”
Chanie was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor know how to find it, but, like so many kids - more than anyone will be able to imagine - he tried. I never knew Chanie, the child his teachers misnamed Charlie, but I will always love him.
Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written. We are all accountable, but this begins in the late 1800s and goes to 1996. “White” Canada knew – on somebody’s purpose – nothing about this. We weren’t taught it; it was hardly ever mentioned.
All of those Governments, and all of those Churches, for all of those years, misused themselves. They hurt many children. They broke up many families. They erased entire communities. It will take seven generations to fix this. Seven. Seven is not arbitrary. This is far from over. Things up north have never been harder. Canada is not Canada. We are not the country we think we are.
I am trying in this small way to help spread what Murray Sinclair said, “This is not an aboriginal problem. This is a Canadian problem. Because at the same time that aboriginal people were being demeaned in the schools and their culture and language were being taken away from them and they were being told that they were inferior, they were pagans, that they were heathens and savages and that they were unworthy of being respected — that very same message was being given to the non-aboriginal children in the public schools as well…They need to know that history includes them.” (Murray Sinclair, Ottawa Citizen, May 24, 2015)
I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, 'Canada.'
'Do we want to live in a haunted house the rest of our lives?” - Joseph Boyden
Proceeds from the sale of Secret Path will go to The Gord Downie Secret Path Fund for Truth and Reconciliation via The National Centre for Truth and Reconciliation at The University of Manitoba.
Ogoki Post, Ontario
September 9, 2016
Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adam’s Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”
Chanie was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor know how to find it, but, like so many kids - more than anyone will be able to imagine - he tried. I never knew Chanie, the child his teachers misnamed Charlie, but I will always love him.
Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written. We are all accountable, but this begins in the late 1800s and goes to 1996. “White” Canada knew – on somebody’s purpose – nothing about this. We weren’t taught it; it was hardly ever mentioned.
All of those Governments, and all of those Churches, for all of those years, misused themselves. They hurt many children. They broke up many families. They erased entire communities. It will take seven generations to fix this. Seven. Seven is not arbitrary. This is far from over. Things up north have never been harder. Canada is not Canada. We are not the country we think we are.
I am trying in this small way to help spread what Murray Sinclair said, “This is not an aboriginal problem. This is a Canadian problem. Because at the same time that aboriginal people were being demeaned in the schools and their culture and language were being taken away from them and they were being told that they were inferior, they were pagans, that they were heathens and savages and that they were unworthy of being respected — that very same message was being given to the non-aboriginal children in the public schools as well…They need to know that history includes them.” (Murray Sinclair, Ottawa Citizen, May 24, 2015)
I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, 'Canada.'
'Do we want to live in a haunted house the rest of our lives?” - Joseph Boyden
Proceeds from the sale of Secret Path will go to The Gord Downie Secret Path Fund for Truth and Reconciliation via The National Centre for Truth and Reconciliation at The University of Manitoba.
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Gord Downie began Secret Path as ten poems incited by the story of Chanie Wenjack, a twelve year-old boy who died fifty years ago on October 22, 1966, in flight from the Cecilia Jeffrey Indian Residential School near Kenora, Ontario, walking home to the family he was taken from over 400 miles away. Gord was introduced to Chanie Wenjack (miscalled “Charlie” by his teachers) by Mike Downie, his brother, who shared with him Ian Adams’ Maclean’s story from February 6, 1967, “The Lonely Death of Charlie Wenjack.”
The stories Gord’s poems tell were fleshed into the ten songs of
Downie 3
Secret Path with producers Kevin Drew and Dave Hamelin. Recording took place over two sessions at the Bathouse in Bath, Ontario, November and December 2013. The music features Downie on vocals and guitars, with Drew and Hamelin playing all other instruments, except guest contributions by Charles Spearin (bass), Ohad Benchetrit (lap steel/guitar), Kevin Hearn (piano), and Dave “Billy Ray” Koster (drums).In winter 2014, Gord and Mike brought the recently finished music to comic artist Jeff Lemire for his help illustrating Chanie’s story, bringing him and the many children like him to life.
Secret Path acknowledges a dark part of Canada’s history – the long-supressed mistreatment of Indigenous children and families by the residential school system – with the hope of starting our country on a road to reconciliation.
The ten song album will be released by Arts & Crafts accompanied by Lemire's eighty-eight page graphic novel published by Simon & Schuster Canada. Secret Path will arrive on October 18, 2016, in a deluxe vinyl and book edition, and as a book with album download.
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VINYL
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1. The Stranger
2. Swing Set
3. Seven Matches
4. I Will Not Be Struck
5. Son
6. Secret Path
7. Don't Let This Touch You
8. Haunt Them, Haunt Them, Haunt Them
9. The Only Place To Be
10. Here, Here and Here
STATEMENT BY JEFF LEMIRE
I first met Gord Downie and his brother Mike back in the winter of 2014. They wanted to discuss a potential project and, over coffee, they told me the story of Chanie “Charlie” Wenjack. Gord was then in the final stages of recording his incredible songs based on Chanie’s life and he shared the rough mixes with me in the hopes that I would be interested in creating a graphic novel to accompany his album. Before we left the coffee shop I knew I was going to do it. I had to. Chanie’s story is one that will not let you go once you hear it. It’s a story that can’t be ignored. And yet, somehow, it has been ignored. By nearly all of us.
Growing up white in Southern Ontario, I never learned about Chanie Wenjack or about any of the tens of thousands of other indigenous children like him who were part of Canada’s residential school system. This is such a massive part of our country’s history, yet our schools didn’t teach us about it. Why? Maybe because it’s easier to live with ourselves if we pretend stories like Chanie’s never happened. But they did happen, and still happen. Chanie Wenjack lived and died, and no one knows his story.
I’ve spent the last three years living with Chanie’s story and living inside Gord’s music. Gord’s haunting songs introduced me to Chanie Wenjack. Music is universal. It crosses languages and cultures and speaks to everyone, and I’ve always felt the medium of comics could do the same. It’s our hope that one day Secret Path will be taught in schools and that it will help to shed a light on this all too often ignored part of Canada’s past. I think, above all else, that’s what Gord and I wanted to create: something that can’t be ignored. Every Canadian should know Chanie Wenjack’s name and I hope Secret Path helps to make that a reality.
I first met Gord Downie and his brother Mike back in the winter of 2014. They wanted to discuss a potential project and, over coffee, they told me the story of Chanie “Charlie” Wenjack. Gord was then in the final stages of recording his incredible songs based on Chanie’s life and he shared the rough mixes with me in the hopes that I would be interested in creating a graphic novel to accompany his album. Before we left the coffee shop I knew I was going to do it. I had to. Chanie’s story is one that will not let you go once you hear it. It’s a story that can’t be ignored. And yet, somehow, it has been ignored. By nearly all of us.
Growing up white in Southern Ontario, I never learned about Chanie Wenjack or about any of the tens of thousands of other indigenous children like him who were part of Canada’s residential school system. This is such a massive part of our country’s history, yet our schools didn’t teach us about it. Why? Maybe because it’s easier to live with ourselves if we pretend stories like Chanie’s never happened. But they did happen, and still happen. Chanie Wenjack lived and died, and no one knows his story.
I’ve spent the last three years living with Chanie’s story and living inside Gord’s music. Gord’s haunting songs introduced me to Chanie Wenjack. Music is universal. It crosses languages and cultures and speaks to everyone, and I’ve always felt the medium of comics could do the same. It’s our hope that one day Secret Path will be taught in schools and that it will help to shed a light on this all too often ignored part of Canada’s past. I think, above all else, that’s what Gord and I wanted to create: something that can’t be ignored. Every Canadian should know Chanie Wenjack’s name and I hope Secret Path helps to make that a reality.
The Secret Path is an animated film adaptation of Gord Downie's album and Jeff Lemire's graphic novel. Working with Downie's poetry and music, Lemire has created a powerful visual representation of the life of Chanie Wenjack. The film is divided into ten chapters, each a song from Downie's musical retelling of Chanie's story – from his escape from the Cecilia Jeffrey Indian Residential School, to his subsequent and heartbreaking death from hunger and exposure to the harsh weather. The final product is a uniquely immersive emotional experience - an insight into the life of a little boy who, as Gord has said, he never knew, 'but will always love.'
The Secret Path was created, written, and directed by Gord Downie, composed by Gord Downie with Kevin Drew and Dave Hamelin, and illustrated by author Jeff Lemire. The film is executive produced by Mike Downie, Patrick Downie, Gord Downie, and Sarah Polley. The Secret Path is produced by Entertainment One (eOne) and Antica Productions Ltd. in association with CBC, with the participation of the Canada Media Fund and the Canadian Film or Video Production Tax Credit. Jocelyn Hamilton is executive producer for eOne Television and Stuart Coxe is executive producer for Antica Productions. Animation is directed by Justin Stephenson, produced at Solis Animation Inc. and composited by Even Steven Inc.
The Secret Path was broadcast by CBC in an hour-long commercial-free television special in Sunday, October 23. The Secret Path and Road to Reconciliation panel discussion can be watched at cbc.ca/secretpath.
The Secret Path was created, written, and directed by Gord Downie, composed by Gord Downie with Kevin Drew and Dave Hamelin, and illustrated by author Jeff Lemire. The film is executive produced by Mike Downie, Patrick Downie, Gord Downie, and Sarah Polley. The Secret Path is produced by Entertainment One (eOne) and Antica Productions Ltd. in association with CBC, with the participation of the Canada Media Fund and the Canadian Film or Video Production Tax Credit. Jocelyn Hamilton is executive producer for eOne Television and Stuart Coxe is executive producer for Antica Productions. Animation is directed by Justin Stephenson, produced at Solis Animation Inc. and composited by Even Steven Inc.
The Secret Path was broadcast by CBC in an hour-long commercial-free television special in Sunday, October 23. The Secret Path and Road to Reconciliation panel discussion can be watched at cbc.ca/secretpath.
GORD DOWNIE
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Proceeds from the sale of Secret Path will be donated to the Gord Downie Secret Path Fund for Truth and Reconciliation via The National Centre for Truth and Reconciliation (NCTR) at The University of Manitoba. The NCTR is dedicated to preserving the history of residential schools in Canada, making this history known, and moving our country forward on the path of reconciliation. These funds are dedicated to finding the missing children.
The Downies and Wenjacks are also raising money for the newly created Gord Downie & Chanie Wenjack Fund. The Fund operates out of the Toronto Foundation and focuses on cross-cultural education to support healing and recovery. It will also directly support the National Centre for Truth and Reconciliation at The University of Manitoba.
The Gord Downie & Chanie Wenjack Fund (DWF) embodies Gord Downie’s commitment, and that of his family, to improving the lives of First Peoples. The Fund will foster new relationships between Indigenous and non-Indigenous peoples, while strengthening the voices and work of groups already making a difference. Money raised for the DWF will be used to create new relationships for reconciliation.
The Downies and Wenjacks are also raising money for the newly created Gord Downie & Chanie Wenjack Fund. The Fund operates out of the Toronto Foundation and focuses on cross-cultural education to support healing and recovery. It will also directly support the National Centre for Truth and Reconciliation at The University of Manitoba.
The Gord Downie & Chanie Wenjack Fund (DWF) embodies Gord Downie’s commitment, and that of his family, to improving the lives of First Peoples. The Fund will foster new relationships between Indigenous and non-Indigenous peoples, while strengthening the voices and work of groups already making a difference. Money raised for the DWF will be used to create new relationships for reconciliation.
For Willo, Clare, Louis, Clemens
For the place called ‘Canada’ – past, present, future
All of us.
Words by
GORD DOWNIE
Graphic Novel & Illustrations by
JEFF LEMIRE
Songs by GORD DOWNIE
with KEVIN DREW & DAVE HAMELIN
Produced and Mixed by
KEVIN DREW & DAVE HAMELIN
Vocals, Acoustic and Electric Guitars by GORD DOWNIE
All other instrumentation by KEVIN DREW & DAVE HAMELIN
Guest Musicians:
CHARLES SPEARIN - Bass
OHAD BENCHETRIT - Lap Steel & Additional Guitar
KEVIN HEARN - Additional Keys
DAVE “BILLY RAY” KOSTER - Drums
Engineered by NYLES SPENCER
Recorded and Mixed at The Bathouse Recording Studios, Bath, ON, Canada
November 3 - November 10, 2013
November 27 - December 2, 2013
Mastered by ERIC BOULANGER, The Bakery, Culver City, CA, USA
Art Direction by JONATHAN SHEDLETZKY
Design & Layout by ISIS ESSERY
Website Design by IAN PORTER
For the place called ‘Canada’ – past, present, future
All of us.
Words by
GORD DOWNIE
Graphic Novel & Illustrations by
JEFF LEMIRE
Songs by GORD DOWNIE
with KEVIN DREW & DAVE HAMELIN
Produced and Mixed by
KEVIN DREW & DAVE HAMELIN
Vocals, Acoustic and Electric Guitars by GORD DOWNIE
All other instrumentation by KEVIN DREW & DAVE HAMELIN
Guest Musicians:
CHARLES SPEARIN - Bass
OHAD BENCHETRIT - Lap Steel & Additional Guitar
KEVIN HEARN - Additional Keys
DAVE “BILLY RAY” KOSTER - Drums
Engineered by NYLES SPENCER
Recorded and Mixed at The Bathouse Recording Studios, Bath, ON, Canada
November 3 - November 10, 2013
November 27 - December 2, 2013
Mastered by ERIC BOULANGER, The Bakery, Culver City, CA, USA
Art Direction by JONATHAN SHEDLETZKY
Design & Layout by ISIS ESSERY
Website Design by IAN PORTER
Gord Downie
Jeff Lemire
Jeff Lemire
eOne Television
Antica Productions
Press: Ken Beattie | Killbeat Music
Antica Productions
Press: Ken Beattie | Killbeat Music